Yvonne Rainer: A Reader

Exhibition

From 10 October 2025 to 15 February 2026

Curator: Arlène Berceliot Courtin

With: Charles Atlas, Florencia Aliberti / Caterina Cuadros / Gala Hernández López, Gregg Bordowitz, Cécile Bouffard / Ruth Childs, Pauline L. Boulba / Lucie Brux / Aminata Labor, Pauline Boudry / Renate Lorenz, Madison Bycroft , Hélène Giannecchini, Lenio Kaklea, Nick Mauss, Paul Maheke, Babette Mangolte, Josèfa Ntjam, Ulrike Ottinger, Adam Pendleton, Jean-Charles de Quillacq, Yvonne Rainer, Robert Rauschenberg.

How should Yvonne Rainer be read, seen, and especially exhibited today?
At the height of minimalism in the 1960s, the choreographer and filmmaker (born in 1934 in San Francisco) lost all desire for objectivity as a performer, preferring to explore the emotions at play in human, social and sexual relations. The exhibition takes its title from the term “reader” in two of its senses: a publication assembling a set of texts by one author, and the very position of the person who reads.

This format has been transposed into the art centre to create a novel form of interdisciplinary exhibition that brings together dance, cinema, performance, video, visual arts, literature, and archives. Dance after dance, performance after performance, film after film, essay after essay, Yvonne
Rainer has never stopped reinterpreting her position as an artist, developing a critical point of view on the masculinism of the New York avant-garde, on postmodernism, and on an essentialist feminism that in many regards anticipated queer thought. In this sense, Yvonne Rainer is an example of longevity and ceaseless rebirth, achieved through constant engagement with feminism, anti-militarism, anti-imperialism, anti-racism, and activism against the AIDS epidemic.
Though it might look like a solo exhibition, it assembles a multiplicity of artists, performers and researchers whose voices resonate around Yvonne Rainer. The exhibition also offers a complete retrospective of Yvonne Rainer’s feature films, as well as material from her personal archives, and a
programme of public events that includes performances, readings and talks. “Yvonne Rainer: A Reader” celebrates a key figure of art and feminism in the 20th and 21st centuries.

Feelings are facts. These are now reproduced and translated into French for the first time. They are as alive and vivid as can be, expressing a subjectivity that is by turns female, a-woman, lesbian, queer… In other words, a voice in motion, continually revitalized by struggle, encouraging us to devise new forms of self-representation. This project is the result of
several years of research in France and the United States (mainly New York, Los Angeles and San Francisco). It is accompanied by a bilingual publication (JRP/Editions, supported by the Centre national des arts plastiques and Villa Albertine) that extends and materialises the desire to make available in French, for the first time, a sizeable collection of previously inaccessible articles, writings, essays and interviews. The book includes a series of recent interviews with Gregg Bordowitz, Boudry/Lorenz, Nick Mauss, Lynne Tillman and Yvonne Rainer.

Arlène Berceliot Courtin

Cinema schedule in Room 4 :
Retrospective of films by Yvonne Rainer
and related programme with films by Gregg Bordowitz and
Pauline L. Boulba / Aminata Labor / Lucie Brux

  • Monday
    12.30 : Lives of Performers, Yvonne Rainer (90’)
    2p.m. : Film About a Woman Who, Yvonne Rainer (105’)
    3.45p.m. : Kristina Talking Pictures, Yvonne Rainer (90’)
    5.15p.m. : Privilege, Yvonne Rainer (103’)
  • Wednesday
    12.30 : Journeys from Berlin/1971, Yvonne Rainer (125’)
    2.35p.m. : The Man Who Envied Women, Yvonne Rainer (125’)
    4.40p.m. : MURDER and murder, Yvonne Rainer (113’)
  • Thursday
    12.30 : Lives of Performers, Yvonne Rainer (90’)
    2p.m. : Film About a Woman Who, Yvonne Rainer (105’)
    3.45p.m. : Kristina Talking Pictures, Yvonne Rainer (90’)
    5.15p.m. : Privilege, Yvonne Rainer (103’)
  • Friday
    12.30 : Journeys from Berlin/1971, Yvonne Rainer (125’)
    2.35p.m. : The Man Who Envied Women, Yvonne Rainer (125’)
    4.40p.m. : MURDER and murder, Yvonne Rainer (113’)
  • Saturday
    2p.m. : Lives of Performers, Yvonne Rainer (90’)
    3.30p.m. : Film About a Woman Who, Yvonne Rainer (105’)
    5.15p.m. : JJ, Pauline L. Boulba, Aminata Labor, Lucie Brux (71’)
  • Sunday
    2p.m. : Fast Trip, Long Drop, Gregg Bordowitz (55’)
    3p.m : Privilege, Yvonne Rainer (103’)
    4.40p.m. : MURDER and murder, Yvonne Rainer (113’)

This exhibition is presented as part of ¡Viva Villa!, a showcase of residencies in France and abroad, fruit of a collaboration between Casa de Velázquez (Madrid, Spain), Villa Albertine (US), Villa Kujoyama (Kyoto, Japan) and the Villa Médicis (Rome, Italy).

Ruth Childs and Cécile Bouffard’s project was supported by the Fluxus Art Project.

The project A real boy by Jean-Charles de Quillacq was selected by the sponsorship committee of the Fondation des Artistes, which provided its support.

The French subtitles for Lives of Performers and Film About a Woman Who… by Yvonne Rainer were produced by the “films” collection of the Musée national d’art moderne.

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Yvonne Rainer, circa 1964. Photo attribuée à Robert Rauschenberg. Collection d’études. Fondation Robert Rauschenberg, New York.

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Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. Au centre : Pauline Boudry / Renate Lorenz « Salomania », 2009. Installation vidéo, 17 min. Performance : Yvonne Rainer, Wu Tsang. Courtesy de l’artiste et Galerie Marcelle Alix, Paris & Ellen de Bruijne Projects, Amsterdam. A gauche : 48 documents extraits du fonds Yvonne Rainer papers, (photographies, affiches, programmes), © Getty Research Institute, Los Angeles, © Zeitgeist Films en association avec Kino Lorber, Berlin. Composition graphique, Studio Muro, 2025, © DR. Photo : Aurélien Mole.

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Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. Au centre : Yvonne Rainer, « Trio A, 1978 ». Vidéo, noir et blanc, muet, 10 min. 30. Courtesy de l’artiste et Video Data Bank, School of the Art Institute of Chicago. A droite : 48 documents extraits du fonds Yvonne Rainer papers, (photographies, affiches, programmes), © Getty Research Institute, Los Angeles, © Zeitgeist Films en association avec Kino Lorber, Berlin. Composition graphique, Studio Muro, 2025, © DR. Photo : Aurélien Mole.

Agrandir l'image Vignette

Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. Au centre : Yvonne Rainer, « Trio A, 1978 ». Vidéo, noir et blanc, muet, 10 min. 30. Courtesy de l’artiste et Video Data Bank, School of the Art Institute of Chicago. A droite : 48 documents extraits du fonds Yvonne Rainer papers, (photographies, affiches, programmes), © Getty Research Institute, Los Angeles, © Zeitgeist Films en association avec Kino Lorber, Berlin. Composition graphique, Studio Muro, 2025, © DR. Photo : Aurélien Mole.

Agrandir l'image Vignette

Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. 48 documents extraits du fonds Yvonne Rainer papers, (photographies, affiches, programmes), © Getty Research Institute, Los Angeles, © Zeitgeist Films en association avec Kino Lorber, Berlin. Composition graphique, Studio Muro, 2025, © DR. Photo : Aurélien Mole.

Agrandir l'image Vignette

Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. 48 documents extraits du fonds Yvonne Rainer papers, (photographies, affiches, programmes), © Getty Research Institute, Los Angeles, © Zeitgeist Films en association avec Kino Lorber, Berlin. Composition graphique, Studio Muro, 2025, © DR. Photo : Aurélien Mole.

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Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. Pauline L. Boulba / Lucie Brux / Aminata Labor « JJ » (Extrait), 2024. Vidéo, son, couleur, 9 min. 54. Courtesy des artistes. Photo Aurélien Mole.

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Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. Babette Mangolte, « The Camera : Je ou La Camera : I », 1977. 16 mm numérisé, N&B/Couleur, 89 min. Production Babette Mangolte. Coproduction : Unité Trois, Institut National de l’Audiovisuel. Courtesy New American Cinema Group, Inc./The Film-Makers’ Cooperative. Photo : Aurélien Mole.

Agrandir l'image Vignette

Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. Au centre : Babette Mangolte, « The Camera : Je ou La Camera : I », 1977. 16 mm numérisé, N&B/Couleur, 89 min. Production Babette Mangolte. Coproduction : Unité Trois, Institut National de l’Audiovisuel. Courtesy New American Cinema Group, Inc./The Film-Makers’ Cooperative. A droite : Ulrike Ottinger, « Madame X - An Absolute Ruler », 1978-2025. 4 photographies extraites du long-métrage, impressions sur papier baryté encadrées. Courtesy de l’artiste. Photo Aurélien Mole.

Agrandir l'image Vignette + 21 autres photos

Vue de l’exposition « Yvonne Rainer : A Reader », 2025-2026, Crac Occitanie, Sète. Ulrike Ottinger, « Madame X - An Absolute Ruler », 1978-2025. 4 photographies extraites du long-métrage, impressions sur papier baryté encadrées. Courtesy de l’artiste. Photo Aurélien Mole.

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