Yvonne Rainer: A Reader

Exhibition

From 10 October 2025 to 15 February 2026

Curator: Arlène Berceliot Courtin

Press preview and opening Friday 10 October 2025.

With: Charles Atlas, Florencia Aliberti / Caterina Cuadros / Gala Hernández López, Gregg Bordowitz, Cécile Bouffard / Ruth Childs, Pauline L. Boulba / Lucie Brux / Aminata Labor, Pauline Boudry / Renate Lorenz, Madison Bycroft , Hélène Giannecchini, Lenio Kaklea, Nick Mauss, Paul Maheke, Babette Mangolte, Josèfa Ntjam, Ulrike Ottinger, Adam Pendleton, Jean-Charles de Quillacq, Yvonne Rainer, Robert Rauschenberg.

How should Yvonne Rainer be read, seen, and especially exhibited today?
At the height of minimalism in the 1960s, the choreographer and filmmaker (born in 1934 in San Francisco) lost all desire for objectivity as a performer, preferring to explore the emotions at play in human, social and sexual relations. The exhibition takes its title from the term “reader” in two of its senses: a publication assembling a set of texts by one author, and the very position of the person who reads.

This format has been transposed into the art centre to create a novel form of interdisciplinary exhibition that brings together dance, cinema, performance, video, visual arts, literature, and archives. Dance after dance, performance after performance, film after film, essay after essay, Yvonne
Rainer has never stopped reinterpreting her position as an artist, developing a critical point of view on the masculinism of the New York avant-garde, on postmodernism, and on an essentialist feminism that in many regards anticipated queer thought. In this sense, Yvonne Rainer is an example of longevity and ceaseless rebirth, achieved through constant engagement with feminism, anti-militarism, anti-imperialism, anti-racism, and activism against the AIDS epidemic.
Though it might look like a solo exhibition, it assembles a multiplicity of artists, performers and researchers whose voices resonate around Yvonne Rainer. The exhibition also offers a complete retrospective of Yvonne Rainer’s feature films, as well as material from her personal archives, and a
programme of public events that includes performances, readings and talks. “Yvonne Rainer: A Reader” celebrates a key figure of art and feminism in the 20th and 21st centuries.

Feelings are facts. These are now reproduced and translated into French for the first time. They are as alive and vivid as can be, expressing a subjectivity that is by turns female, a-woman, lesbian, queer… In other words, a voice in motion, continually revitalized by struggle, encouraging us to devise new forms of self-representation. This project is the result of
several years of research in France and the United States (mainly New York, Los Angeles and San Francisco). It is accompanied by a bilingual publication (JRP/Editions, supported by the Centre national des arts plastiques and Villa Albertine) that extends and materialises the desire to make available in French, for the first time, a sizeable collection of previously inaccessible articles, writings, essays and interviews. The book includes a series of recent interviews with Gregg Bordowitz, Boudry/Lorenz, Nick Mauss, Lynne Tillman and Yvonne Rainer.

Arlène Berceliot Courtin

This exhibition is presented as part of ¡Viva Villa!, a showcase of residencies in France and abroad, fruit of a collaboration between Casa de Velázquez (Madrid, Spain), Villa Albertine (US), Villa Kujoyama (Kyoto, Japan) and the Villa Médicis (Rome, Italy).

Ruth Childs and Cécile Bouffard’s project was supported by the Fluxus Art Project.

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Yvonne Rainer, circa 1964. Photo attribuée à Robert Rauschenberg. Collection d’études. Fondation Robert Rauschenberg, New York.

Exhibiting Artist

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Yvonne Rainer sur le tournage de "The Man Who Envied Women", 1985. © Zeitgeist Films en association avec Kino Lorber.

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Yvonne Rainer, photogramme de "The Man Who Envied Women", réalisation Yvonne Rainer, 1985, 125min. Distribution : Zeitgest Films.

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Yvonne Rainer, "Trio A", 1978, vidéo, noir et blanc, muet, 10min30. Courtesy de l’artiste et Video Data Bank, School of the Art Institute of Chicago.

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Charles Atlas, "Rainer Variations", 2002, vidéo, couleur, son stéréo, 41min30. Courtesy de l’artiste et Video Data Bank, School of the Art Institute of Chicago.

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Adam Pendleton, "Just back from Los Angeles: A Portrait of Yvonne Rainer", 2016–2017, vidéo, noir et blanc, son, 13min51, édition de 5 exemplaires plus 2 épreuves d’artiste. Courtesy de l’artiste.

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Gregg Bordowitz, "Fast Trip, Long Drop", 1993, vidéo, couleur, son stéréo, 54min04. Tous droits réservés par l’artiste. Courtesy de Light Cone, Paris.

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Ruth Childs et Cécile Bouffard, "Delicate People", 2021, performance, durée et dimensions variables. Courtesy des artistes. Coproduction : Centre culturel suisse, Paris, en partenariat avec La Becque, La Tour-de-Peilz, Suisse. Photo : David Palmieri.

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Pauline Boudry et Renate Lorenz, "Salomania", 2009, installation vidéo, 17 min. Performance : Yvonne Rainer, Wu Tsang. Courtesy Marcelle Alix, Paris & Ellen de Bruijne Projects, Amsterdam. Collections Museo Nacional Reina Sofia, Madrid et Kadist Foundation, Paris.

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Josèfa Ntjam, "Mélas de Saturne" (photogramme), 2020, vidéo couleur, son, 11min32, co-production : Sean Heart 6. Courtesy de l’artiste. Collection Frac Nouvelle-Aquitaine MÉCA.

Partenaires

Agenda